The Object: Homage by Sean Derry
David Bernabo and Natalia Gomez spend a good deal of time trying to crack the system of a complex kinetic work.
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The Object: Two Figures, Front to Front by Paul Bowden
“It’s not completely about the gesture of the figure, but also about the modeling—the detail of the hands, feet, and the rib cage.” The Object looks at sculptor Paul Bowden’s Two Figures, Front to Front.
The Object: Waxing & Waiting by Brandon Boan
“These pieces, in a structural flux, exist between solid and gelatinous forms.” David Bernabo and Natalia Gomez examine the enigmatic creations in Brandon Boan’s Waxing & Waiting.
The Object: Life is a great tapestry… by Sarika Goulatia
“Black paper, hung in front of black walls, with thousands of tiny, tiny pins sticking out”: David Bernabo and Natalia Gomez in conversation review one piece from Sarika Goulatia’s current exhibition at the PCA.
The Object: Pell’s Cabinet of Ambiguities by Richard Pell
The Object is a hyper-specific art-experience review-via-dialogue—a focus on one particular piece of art out of a larger exhibition. David Bernabo and artist Natalia Gomez begin with what’s essentially a miniature museum of curiosities.
Words as Objects, Paintings as Punchlines
For an upcoming show of new work, Seth LeDonne strips paintings down to essentials, focusing on phrases that are intimate, approachable, and often acerbically witty.
Studio Visit: Barbara Weissberger and Eleanor Aldrich
Long-distance collaborators Barbara Weissberger and Eleanor Aldrich use illusion to play with material and material to play with illusion.
Artist Talk: Adam Milner
In Remains, artist Adam Milner has formed a corporeal, archival display of items from his own collection—and from Andy Warhol’s.
To Organize Delirium: Pittsburgh Hosts Major U.S. Retrospective of Brazilian Artist Hélio Oiticica
Hélio Oiticica: To Organize Delirium, a major retrospective of the influential Brazilian artist in the United States, opens this weekend at the Carnegie Museum of Art. We spoke with some of its organizers about the artist and the nitty gritty of curation.
Studio Visit: Sarika Goulatia
“If there is no process in it, it doesn’t feel like work,” says artist Sarika Goulatia on her labor-intensive studio practice.